Take away the cartooniness of the Japanese and the humor falls flat, the main characters' intense yearning is neutralized and the plot evaporates. Is that all he said? Analysis[ edit ] Over the course of the film, several things are "lost in translation". But in addition, they are lost in their own lives and relationships, a feeling, amplified by their displaced location, that leads to their blossoming friendship and growing connection with one another. Lost in Translation is found gold. For example, the dialogue in the scene with Harris and the still photographer was unrehearsed. Coppola knows firsthand that American tourists rarely get to know any Japanese well enough to discover their depth as sympathetic human beings. On a basic level, they are lost in the alien Japanese culture. Why spoil a perfect film?
All of the locations mentioned in the film are the names of actual places that existed in Tokyo at the time of filming. Why spoil a perfect film? On a basic level, they are lost in the alien Japanese culture. Coppola knows firsthand that American tourists rarely get to know any Japanese well enough to discover their depth as sympathetic human beings. The viewer is sledgehammered into laughing at these small, yellow people and their funny ways. A smaller Moviecam Compact was used in confined locations. Location scouting was carried out by Coppola, Acord, and Katz; and Coppola created 40 pages of photographs for the crew so that they would understand her visual intentions. Hoberman , in his review for the Village Voice , wrote: And we don't want to. As if you are Bogie in Casablanca , saying, 'Here's looking at you, kid,'—Suntory time! Tokyo is so disorienting, and there's a loneliness and isolation. With wholehearted feeling, slowly, look at the camera, tenderly, and as if you are meeting old friends, say the words. Is that all he said? Both Coppola and Murray finally selected Roxy Music 's " More Than This " during the shoot itself because they liked the band and thought the lyrics fit the story. Dwyer wrote that when the two shots are compared, they reveal the importance of language difference, as both films highlight the complexities involved with characters speaking multiple languages. To conclude this relationship, Coppola wanted a special ending even though she thought the concluding scene in the script was mundane. These are invariably followed by brief, incomplete translations from the interpreter. You are sitting quietly in your study. The inaccessibility of Japan functions as an extension of the alienation and loneliness Bob and Charlotte feel in their personal lives, thus laying the perfect conditions for romance to germinate: Japanese TV critic Osugi of Osugi and Piko fame said "The core story is cute and not bad; however, the depiction of Japanese people is terrible! The site's critical consensus states: Coppola wrote the film with Murray in mind and said she would not have made it without him. Johansson is not nearly as accomplished a performer as Mr. Trimmed to a newly muscular, rangy handsomeness and in complete rapport with his character's hard-earned acceptance of life's limitations, Murray turns in a great performance. Coppola and her colleagues have replaced sexual facility with emotional longing, without being too coy or self-congratulatory in the process. She explains that the calm ambience of the city's hotel represents Bob's desire to be secure and undisturbed, while the energetic atmosphere of the city streets represents Charlotte's willingness to engage with the world.
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Lost in Translation Suntory Time scene
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